Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  3623
Moses Defending the Daughters of Jethro
1523 Galleria degli Uffizi, Florence

Rosso Fiorentino Moses Defending the Daughters of Jethro oil painting reproduction


   
 

 

 
   
      


Painting ID::  8919
Moses Defending the Daughters of Jethro
1720s Oil on canvas, 114 x 178 cm Museum of Fine Arts, Budapest

RICCI, Sebastiano Moses Defending the Daughters of Jethro oil painting reproduction


   
 

 

 
   
      


Painting ID::  28978
Moses Defending the Daughters of Jethro
mk65 Oil on canvas 63x46 1/16in Uffizi,Gallery

Rosso Fiorentino Moses Defending the Daughters of Jethro oil painting reproduction


   
 

 

 
   
      


Painting ID::  31378
Moses defending the Daughters of Jethro
nn07 1609-10

SARACENI, Carlo Moses defending the Daughters of Jethro oil painting reproduction


   
 

 

 
   
      


Painting ID::  40328
Moses Defending the Daughters of Jethro
mk156 1523 OIl on canvas 160x117cm

Rosso Fiorentino Moses Defending the Daughters of Jethro oil painting reproduction


   
 

 

 
   
      

Rosso Fiorentino
Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
Moses Defending the Daughters of Jethro
mk156 1523 OIl on canvas 160x117cm

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